100 Colors Installation
为2013年新宿创作者节而作，Emmanuelle Moureaux的“100色”装置如其名，使用了100种不同色调。超过840张彩色纸片从天花板悬垂而下，形成一片漂浮在空中的彩虹色体积。这些颜色选自日本纸张制造商竹尾（Takeo）的库存，其产品线拥有数千种类型和纹理，色彩范围极广。
装置鼓励参观者从多角度互动：彩色光谱下方放置了豆袋椅，供人坐下换个视角欣赏；后墙上则设有100个圆形色块，每个代表作品中使用的一种颜色，观众可将贴纸贴在自己喜欢的颜色周围，将墙面转变为独立的艺术品，同时也成为观众偏好的趋势指标。
作品在新宿三井大厦1楼的55square展出至2013年9月29日，Moureaux正积极为其寻找新的展出地点。她回忆道：“初到东京时，我被街头满溢的色彩深深吸引，那一刻便决定移居日本。无数的商店招牌、交错的电线、建筑框出的蓝天，构成了城市的三维‘层次’。色彩的洪流在空间中营造出复杂的深度与强度。这些关于东京色彩与层次的难忘体验，正是我‘Shikiri’（用色彩分割/创造空间）设计概念的灵感与本质。”在工作室成立十周年之际，她希望将色彩之美展现到极致，并邀请人们来寻找自己最喜欢的颜色。
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Conceived by Emmanuelle Moureaux for the Shinjuki Creators Festa 2013, ‘100 colors’–whose title indicates the number of hues the designer has integrated into the work–features more than 840 sheets of paper that are suspended from the ceiling, creating a volume of rainbow colors that float in the air. Emmanuelle has chosen the 100 colors from inventory of Takeo, a Japanese paper manufacturer whose product line is available in thousands of types and textures, in an extensive range of hues.
The vibrant installation encourages visitors to engage with it from various angles. Bean bags are placed under neath the spectrum of color inviting one to sit down and look at it from a different perspective, while 100 round circles–each representing the colors used in the opus–placed on the wall summon the public to place a sticker around their favorite, transforming the rear of the space into a completely separate work of art, that also acts as a trend indicator of what guests prefer.
‘100 colors’ is on show at Shinjuki Mitsui Building 1F 55square and is being displayed until September 29th, 2013, and Emmanuelle is eager to find a new venue for the work once this exhibition ends.
‘When I first arrived in Tokyo, I was fully fascinated by the colors overflowing on the street. In that very moment, my mind decided to move to Japan. Overwhelming number of store signs, flying electrical cables, and flashes of blue sky framed by various volumes of buildings, created three dimensional ‘layers’ in the city. The flood of various colors pervaded the street built up a complex depth and intensity in the space. These indelible experiences of colors and layers in Tokyo were the inspiration and essence of my design concept of ‘Shikiri’, which means dividing (creating) space with colors.
Valuing the emotion inspired from Tokyo, in the 10th anniversary year of my studio, I want to show the beauty of colors to the fullest extent. I also wish to share the feeling of being surrounded by overflowing colors by exhibiting 100 colors, here in the middle of Tokyo. Please come and find your favorite color.’ – Emmanuelle Moureaux
http://www.designboom.com/design/emmanuelle-moureaux-creates-a-floating-volume-of-100-colors/
Furniture manufacturer for the residential sector, hotels and palaces
Emmanuelle Moureaux 的“100色”装置是一次对色彩感知与空间体验的极致探索。其核心策略在于将色彩从二维平面解放，通过悬浮的纸张构建一个可穿行的三维色彩场域。
- 空间策略：装置利用垂直悬挂的纸张创造“色彩体积”，将原本空旷的底层空间转化为充满张力的视觉核心。豆袋椅的引入暗示了静观与仰视的动线，而互动墙面则补充了参与性，使空间从被动观赏变为主动创造。
- 材质与工艺：选用竹尾和纸，其丰富的纹理与半透明质感在光线穿透时产生微妙层次。840张纸的悬挂需要精确的布局与结构支撑，但设计意图是让纸张看起来轻盈漂浮，消解结构的存在感。
- 动线与体验：参观者被引导从下方穿行、在豆袋椅上停留、再到后方墙面互动，形成完整的叙事流。这种“行-停-互动”的节奏，让色彩体验从视觉扩展到触觉与社交。
- 灯光与色彩：自然光或人工照明透过纸张产生柔和的漫射效果，100种色彩从鲜艳到柔和渐变，营造出梦幻氛围。色彩的选择并非随机，而是基于竹尾的色库，体现了对日本传统色彩文化的尊重。
- 可借鉴点：该装置展示了低成本材料（纸张）如何通过数量与排列实现高视觉冲击；同时，互动元素（贴纸投票）将观众转化为共创者，为品牌或公共空间提供了低成本高参与度的设计思路。不过，作品对场地光线和悬挂高度的要求较高，需提前评估空间条件。