ASHKAL Mirrors Collection
为 Sursock 博物馆商店打造的「ASHKAL」系列，是对人类灵魂在怀旧而当代的设计物件上的反射的重构，让每个人沉浸于自己的记忆，或穿越回六十年代初博物馆刚开放的时代。
「ASHKAL」意为形状或面孔，是一系列魔幻而简约的 vanity 手持镜，模仿圆形、方形、矩形、椭圆形、五边形和三角形等几何平面，仿佛从博物馆立面的彩色玻璃中提取。每面镜子由超镜面抛光不锈钢板制成，固定在金色拉丝黄铜底座上，带有扭曲的复古感。
每面镜子陈列在大理石、黄铜或金属制成的静态体块上。极薄的手镜仿佛从这些固体基座中切下一片，形成裂缝嵌入其中，呈现超现实主义的 oversized 时尚餐具组的意象。
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For the Sursock museum store “Ashkal” is a reconstruction to the reflection of a human’s soul on a nostalgic but contemporary design object letting each one of us dive into his own memories or even exporting each one to the old era of early sixties when the Sursock museum opened its door ..
Therefore came “Ashkal” which means shapes or in this case faces, a series of magical yet simple vanity hand mirror mimicking different geometrical flat shapes as a circle, a square, a rectangle, an oval, a pentagon and a triangle as if extracted from the stained glass decorating the façade of the museum, all made of a super-mirrored polished stainless steel sheet fixed on a golden brushed brass pedestal with a twisted vintage feel..
Each one exposed on a static volume made of marble, brass or metal creating the base. The extremely thin hand mirrors figuratively cut a slice of these solid bases making a rift where it fits inside, giving the image of surrealistic oversized fashionable cutlery set..
Designed by Richard Yasmine Photos by BizarreBeirut
Furniture manufacturer for the residential sector, hotels and palaces
Richard Yasmine 的 ASHKAL 系列巧妙地将建筑遗产转化为可触摸的日常物件，其设计策略值得借鉴：
- 材质与工艺：超镜面抛光不锈钢与拉丝黄铜的对比，既呼应了博物馆的现代性，又通过金色底座注入历史厚重感。极薄的镜面与厚重的基座形成张力，强化了“切片”的视觉错觉。
- 形式与符号：几何形状直接取自博物馆立面的彩色玻璃，将建筑语言微缩至手持镜的尺度，使物件成为建筑的延伸与记忆的载体。这种“建筑转译”手法在零售陈列中极具辨识度。
- 陈列与体验：每面镜子独立展示于大理石或金属基座上，模仿餐具摆放的仪式感，引导观众像挑选餐具般审视镜子，从而放大了物件的“功能性”与“艺术性”的双重身份。
- 可借鉴点：对于品牌或博物馆商店，将建筑或品牌符号抽象为极简几何，并赋予材质反差，能创造出既有叙事性又具收藏价值的产品线。同时，陈列方式本身也应成为体验的一部分。