Atelier Swarovski Home Collection
施华洛世奇在米兰设计周期间于Palazzo Crespi展示了其最新家居系列，包括瓶塞、多面体镇纸和装饰着彩色水晶切片的大理石托盘。美国设计师Barbara Barry创作的模块化烛台组合，将彩色水晶底座与黄铜中心件搭配，旨在为家带来“亲密的温暖”。冰岛-德国设计二人组Studio Brynjar & Veronika（曾凭彩虹色水晶百叶窗获得2016年施华洛世奇未来设计师奖）贡献了一系列棱镜镇纸，由对比色调的水晶棒制成，投射出彩色反射。Tomás Alonso的托盘同样以色彩为特色，是他现有Atelier Swarovski Home Prism系列的延伸，大理石片镶嵌着彩色水晶碎片形成的图案，或被对比色调的条纹穿插。荷兰设计师Aldo Bakker扩展了他的Facet系列，推出柔和色调的瓶塞和一套镇纸。建筑师Andre Kikoski将施华洛世奇的标志性材料与铜和镍结合，打造了一系列穿孔纹理盒子，顶部饰有大块水晶。美国设计师Greg Lynn的托盘和杯子系列将旋切木材与切割水晶宝石形成对比，专为在家拥有吧台的幸运儿设计。施华洛世奇于2016年推出首个Atelier Swarovski Home系列，旨在满足全球对家居设计物的兴趣和客户需求。其首秀系列包括Raw Edges的彩色线条碗和已故扎哈·哈迪德设计的水晶金属中心装饰件。
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The latest Home range from Swarovski includes bottle stoppers, polygonal paperweights, and marble trays decorated with slices of brightly coloured crystal. The homeware collection, which was shown at Palazzo Crespi during Milan design week, includes several new pieces as well as additions to existing lines. American designer Barbara Barry created a set of modular candle holders, which pair crystal bases in various colours with brass centrepieces that are designed to bring “intimate warmth” into the home.
Icelandic-German design duo Studio Brynjar & Veronika – who were awarded the Swarovski Designers of the Future Award in 2016 for their rainbow-casting crystal blinds – has contributed a range of prismatic paperweights. Made of rods of crystal in contrasting hues, the paperweights cast coloured reflections. Colour also features in Tomás Alonso’s trays, which are an addition to his existing Atelier Swarovski Home Prism range.
Pieces of marble are ringed with patterns made from chips of coloured crystal, or intersected by stripes in contrasting hues. Dutch designer Aldo Bakker has also expanded his Facet range, with a series of bottle stoppers in muted colours and a set of paperweights. Architect Andre Kikoski paired Swarovksi’s trademark material with copper and nickel to create a collection of perforated and textured boxes topped with chunks of crystal.
American designer Greg Lynn’s set of trays and cups, which contrasted turned wood with gems made from cut crystal, are aimed at those lucky enough to have a bar at home. Swarovski launched its first Atelier Swarovski Home range in 2016, “to address a global interest and customer demand for design objects within the home”. Its debut collection included colour-hatched bowls by Raw Edges and a crystal and metal centrepiece designed by the late Zaha Hadid.
The brand just made Dezeen Hot List – our data-driven power list of architects, designers and brands – coming in at number 214. Other highlights from Milan design week this year included a range of furniture by Marni, which was woven using a traditional Colombian technique, and a collection of surreal rugs designed by Jamie Hayón for Nanimarquina.
Design: Aldo Bakker and Tomás Alonso Photography: Mark Cocksedge
https://www.dezeen.com/2017/04/29/atelier-swarovski-home-second-collection-aldo-bakker-tomas-alonso-milan-design-week-2017/
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施华洛世奇家居系列的设计策略聚焦于将水晶从传统珠宝配饰领域拓展至日常家居物件，通过材质混搭（水晶与大理石、黄铜、铜、镍、木材）和几何形态（多面体、棱柱、模块化）来强化品牌的奢华基因与当代感。设计的核心在于“光线与色彩的互动”——水晶切片、棱镜镇纸和彩色反射都直接利用水晶的光学特性创造动态视觉体验，而非仅仅作为装饰点缀。这种从“材料炫耀”转向“光学体验”的策略，提升了产品的艺术性和收藏价值。
可借鉴的设计手法包括：
- 模块化组合（如Barbara Barry的烛台）允许用户自定义色彩与形态，增加互动性；
- 对比材质的并置（如大理石与水晶、木材与水晶）制造张力，突出水晶的精致；
- 色彩系统的运用（对比色、柔和色、彩虹色）为水晶注入情感温度，避免冰冷感。
然而，系列的部分产品（如瓶塞、镇纸）在功能性上较弱，更偏向装饰摆件，这可能限制其市场接受度。但整体而言，该系列成功地将水晶从“奢侈品材料”转化为“设计媒介”，为其他传统材料品牌（如陶瓷、玻璃）提供了跨界家居设计的参考路径。