100 Faces of Tai Kwun
大馆（Tai Kwun）即前中区警署建筑群，曾是香港政府执行执法、审判与惩教的历史地标。如今，这座最新本地地标已转型为集文化、艺术与表演于一体的目的地。
「100 Faces of Tai Kwun」作为大馆的首个展览，通过走访100位街坊与朋友，探索中区警署建筑群的历史，并审视其与社区的复杂关系。受访者包括前警员、前囚犯、店主、街坊、记者、电影导演等，他们的生活曾与大馆交织，其故事与面貌揭示了大馆的精神与核心。
展览以线框骨架结构呈现中环的模糊印象——既异常又熟悉，既空灵又充满故事。穿行于柱廊、阳台与招牌之间，参观者可一窥早已消失的中环如画街景。故事以多种媒介展示，包括插画、互动、肖像与电影，以百种方式回顾与颂扬繁华的中环与大馆。
Get an unrestricted access to all the blog and those extraodinary functions that can help your business grow in a continuously changing industry.
Tai Kwun, as known as the Hong Kong Central Police Station, was a historical icon of the government to implement enforcement, judgment and execution. Being one of the latest local landmarks, Tai Kwun has transformed into a destination of culture, art and performance.
Incorporating stories from 100 kaifongs and friends, “100 Faces of Tai Kwun” , Tai Kwun’s inaugural exhibition explores the history of the Central Police Station cluster through an investigation on the intricate relationships among the neighbourhood. Interviewees include ex-officers, ex-offenders, shop owners, kaifongs, journalists, film directors, etc …. whose lives had been intertwining with Tai Kwun. Their stories and facets unveil and signify the heart and soul of Tai Kwun.
The wireframed skeleton structure is to present a vague impression of central. It is unusual yet familiar, vacuum yet abundant of stories. Walking through the colonnade, verandah and signboards, visitors can grab a glimpse of the long vanished central with a picturesque streetscape. The stories displayed in multiple media, including illustration, interactions, portraits and movies, showcased a hundred ways to retrospect and celebrate the prosperous central and Tai Kwun.
Designed by ADO Ltd. Project director: Kit Cheuk, Project designer: Jimmy Ho, Ben Shum Photography by Jimmy Ho, Ben shum
Furniture manufacturer for the residential sector, hotels and palaces
展览以线框骨架结构营造出中环的模糊轮廓，这种「异常又熟悉」的视觉语言，既是对历史建筑记忆的抽象提炼，也是对城市变迁的隐喻。材质上，线框的轻盈与透明感，与历史建筑的厚重形成对比，引导观众在虚实之间穿行。动线设计巧妙利用柱廊、阳台与招牌等建筑元素，将叙事空间化，观众在物理移动中逐步拼凑历史碎片。灯光上，柔和的光线透过线框投射，营造出朦胧的怀旧氛围。色彩以中性为主，突出展示内容。可借鉴点：1. 用抽象结构表达历史记忆，避免过度具象；2. 多种媒介（插画、互动、肖像、电影）的融合叙事，增强沉浸感；3. 将建筑本身作为展览的一部分，而非单纯容器。