Kalebodur at Cersaie2025
数百片陶瓷板以渐变色构成一座通透的入口，模糊了内外、产品与叙事的边界。Kale 的大规格新系列在此不仅是材料，更是一种设计思维：通过多样性实现统一，通过设计构建社区。
内部，悬浮的圆形天花组织空间，引导动线与视线，映射 Kale 不断进化的品牌身份——连接生产、环境与社会意识。路径穿过一系列抽象而富有氛围的空间，最终汇聚于中央区域——一个被材料图书馆环绕的对话场所。核心是一张由整块瓷板制成的宽大岛台，阶梯式座椅鼓励停留与即兴交流，周围的陶瓷家具进一步展示了材料的表达力与功能性。
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A structure made of hundreds of ceramic slabs, in fading hues, defines the project’s aim. It stands as an open, permeable threshold — between inside and outside, between the tangible product and the stories it tells. Here, Kale’s new large-format collection reveals itself not just as material, but as a way of thinking: unity through diversity, community through design.
Inside, a suspended circular ceiling organizes the space, shaping the flow of movement and perception. It reflects Kale’s evolving identity — a bridge connecting production, environment, and social awareness. The path unfolds through a sequence of abstract, atmospheric spaces that gradually lead to a central area — a place for encounters and dialogue, surrounded by a living library of materials. At the heart of this inner landscape, focal point is a wide island table made entirely of porcelain slabs. Stepped seating invites pauses and informal dialogues, while around it, unique ceramic furnishings further demonstrate the expressive and functional potential of the material.
Furniture manufacturer for the residential sector, hotels and palaces
空间策略上，展亭以“阈限”概念切入，通过开放、可渗透的结构吸引观众进入，模糊展陈与体验的界限。材质与工艺方面，渐变色陶瓷板阵列形成强烈的视觉节奏，既作为空间边界，又成为叙事载体，将产品从商品升华为艺术装置。动线与体验设计精心编排：从入口的渐变序列，到中央圆形天花的向心性引导，最终抵达岛台与阶梯座椅构成的社交核心，形成“吸引—引导—停留—交流”的完整闭环。灯光与色彩上，利用自然光与陶瓷表面的反射，强化材质的细腻质感与渐变效果，营造静谧而富有张力的氛围。可借鉴点在于：将品牌展台转化为沉浸式叙事空间，通过材料本身构建空间结构，而非依赖附加装饰；同时，通过家具化的展陈设计（如岛台、座椅）激发互动，使观展体验从被动观看转向主动参与。