100 Colors Flowers installation
法国建筑师兼艺术家 Emmanuelle Moureaux 为百达翡丽在新加坡举办的钟表艺术大展创作了中心装置『100 Colors Flowers』。该装置由 11500 朵手工组装的纸花组成，花瓣呈现 100 种色彩渐变，灵感源自新加坡本土植物的绚烂、活力与生命力。
装置位于展览首个展厅『新加坡 200 周年纪念厅』入口，以色彩和沉浸感营造出时间温柔流淌的氛围，呼应百达翡丽制表工艺的精准与匠心。Moureaux 从鸡蛋花的色彩与香气中汲取灵感，作品亦映射出新加坡的美丽、精神与活力。
自 2013 年起，Moureaux 开始创作『100 Colors』系列装置，利用 100 种色彩层次构建空间。她希望借由色彩传递情感，并让人们用感官去看见、触摸和感受周围的色彩。该系列将继续在世界各地巡展。
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Emmanuelle Moureaux‘s centerpiece installation for Patek Philippe’s watch art grand exhibition in Singapore is made up of 11,500 flowers with its petals featuring 100 shades of colors. Titled 100 Colors Flowers, the installation draws from the flora of Singapore, full of colors, exuberance, vitality and life, to welcome visitors as they entered the first room of the exhibition. Its petals are carefully assembled by hand to form this shape which captures the spirit of nature as a master craftsman with ability to create and shape beautiful forms.
After Dubai, Munich, London and New York, Singapore has been chosen by Patek Philippe as the venue for the fifth watch art grand exhibition that offered in-depth insights into its universe and its creations. The centerpiece 100 Colors Flowers by Emmanuelle Moureaux welcomed visitors as they entered the first room of the exhibition, the Singapore 200th anniversary room. Colorful and immersive, the installation reflects how time flows gently as if the space has its own time, while its hand-assembled petals capture the immense precision of Patek Philippe master craftsmen & watchmakers. Drawing from the beauty, color and fragrance of frangipani flowers, the piece also reflects the beauty, spirit and dynamism of Singapore.
Emmanuelle Moureaux begun her 100 Colors installation series in 2013, forming space with the use of 100 shades of colors. Through the series, Moureaux wishes to give emotions through colors as she felt from seeing overflowing ‘colors’ in Tokyo when she first visited in 1995. She also wishes to give opportunities for people to see, touch and feel colors with their senses to become more conscious of colors that exist around them. In 100 Colors, colors are explored in various forms depending on the environment, to maximize the beauty of colors. 100 Colors entering the body with a glance triggers a physical response to engage with the sensation of colors. The installation series will continue to travel around the world.
‘when i first arrived in Tokyo, i was fully fascinated by the colors overflowing on the street,’ Explains Moureaux, ‘in that very moment, my mind decided to move to japan. Overwhelming number of store signs, flying electrical cables, and flashes of blue sky framed by various volumes of buildings, created three dimensional “layers” in the city. The flood of various colors pervaded the street built up a complex depth and intensity in the space. These indelible experiences of colors and layers in Tokyo were the inspiration and essence of my design concept of “shikiri”, which means dividing (creating) space with colors. Valuing the emotion inspired from Tokyo, i want to show the beauty of colors to the fullest extent. I also wish to share the feeling of being surrounded by overflowing colors by exhibiting 100 Colors, here in the middle of Tokyo. Please come and find your favorite color.’
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Emmanuelle Moureaux 的『100 Colors Flowers』装置是其色彩系列在奢侈品展览场景中的一次精准落地。空间策略上，装置作为入口视觉锚点，以大规模、高饱和度的色彩阵列瞬间抓住访客注意力，并引导其进入后续展览叙事。材质与工艺方面，手工组装的花瓣不仅呼应了百达翡丽手工制表的精密性，也通过纸材的轻盈感弱化了奢华品牌的沉重感，形成一种优雅的张力。动线与体验上，装置被置于首个展厅，承担情绪转换功能——从外部商业环境过渡到展览的沉浸时空，色彩渐变如同时间的具象化流动。灯光与色彩是核心：100 种色彩并非随机排列，而是经过精心编排的渐变序列，在空间中形成『色彩层』（shikiri 概念），使观者产生生理性的色彩感知。可借鉴点在于：1）将品牌工艺叙事转化为感官体验，而非单纯视觉展示；2）手工元素与工业精确性的结合，提升情感温度；3）色彩作为空间划分与情绪引导的工具，适用于零售、展览等需要强记忆点的场景。